The art of Sin City

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The art of Sin City

⊃ Free Format Kindle Read [ ᥥ The art of Sin City ] ⊽ Kindle Ebook Author Frank Miller ⋲ En imaginant ce style sombre et mena ant pour Sin City, Miller, clairement, s amuse Le jeu a une seule r gle image apr s image, Miller semble se mettre au d fi de voir ce qu il peut abandonner du visuel tout en maintenant sa fonction narrative Comme exemples de son talent graphique, ses r cits orchestrent habilement l omission Miller simplifie Epure est peut tre plus exact Il pure les images narratives, n en distillant que l essentiel Tout se passe comme s il essayait de voir comment le sens narratif peut tre sugg r plut t qu nonc en d tail C est une tactique sp cifique, je dirais, la bande dessin e C est un travail qui ne peut pas tre pratiqu dans un autre m dium aussi efficacement Le cartoonist est un peu comme le r alisateur Les deux pensent, cr ent en termes visuels en tandem avec le son et ou un contenu verbal comme on l admet g n ralement, mais au fond, essentiellement visuel , mais les images des r alisateurs sont continuellement en mouvement celles des cartoonists sont statiques, telles des marques de ponctuation qui identifient les moments clefs dans une action en cours ou le d roulement d une histoire Parce que les images des dessinateurs sont fixes, elles restent ind finiment sous le regard du lecteur Elles peuvent tre tudi es, examin es pour leur sens et leurs implications Le lecteur peut porter son attention sur les allusions visuelles contenues dans les images, remplissant les blancs d une sc ne simplement sugg r e par une de ces images qui abondent dans la s rie des Sin City de MillerFrank Miller began his career in comics in the late 1970s, first drawing then writing Daredevil for Marvel Comics, creating what was essentially a crime comic disguised as a superhero book It was on Daredevil that Miller gained notoriety, honed his storytelling abilities, and took his first steps toward becoming a giant in the comics medium After Daredevil came Ronin, a science fiction samurai drama that seamlessly melded Japanese and French comics traditions into the American mainstream and after that, the groundbreaking and acclaimed Batman The Dark Knight Returns and Batman Year One, both of which not only redefined the classic character, but also revitalized the industry itself Finally able to fulfill his dream of doing an all out, straight ahead crime series, Miller introduced Sin City in 1991 Readers responded enthusiastically to Miller s tough as leather noir drama, creating an instant sales success His multi award winning 300 series from Dark Horse, a telling of history s most glorious and underreported battle, was brought to full blooded life in 1998 In 2001, Miller returned to the superhero genre with the bestselling Batman The Dark Knight Strikes Again Frank Miller continues to push the medium into new territories, exploring subject matter previously untouched in comics, and his work consistently receives the highest praise from his industry peers and readers everywhere In 2005, with the hugely successful Sin City movie release, codirected with Robert Rodriguez, Miller added a director s credit to his already impressive rsum and introduced his characters to an entirely new legion of fans worldwide Ce texte fait r f rence l dition Broch. 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